H.C. Andersen centret

Trykt i Eiler Høeg: Om H. C. Andersens Afreageren 1940.

(Bibliografisk kilde: HCAH 1981/268)

HØEG, EILER, Om H. C. Andersens Afreageren. Ejnar Munksgaard, København. 31 pp.
Med førstetryk af børne-parodikomedien Truth ( BFN 1266). - Cf. En Børnekomedie af H. C. Andersen, Berlingske Aftenavis 13. jan. (samtale med EH; mærket nls.). - Anm.: Richard Bryde, Viborg Stifts Folkeblad 15. jan. Kristeligt Dagblad, 14.1.1940; G.N. Ekstrabladet, 20.1.1940; sin. Fyns Tidende, 14.1.1940.

(Bibliografisk kilde: HCAH A-979, 1971//598)

Reginald Colby, The Guardian Journal, 1.4.1955. The Birmingham Post, 2.4.1955, Truth, April 15, 1955.

(Bibliografisk kilde: HCAH)

Maurice Michael: A film about the life of the famous writher of fairy tales will be televised on Sunday. The same afternoon, in the Home Service, Lady Southorn will recall what Andersen's friends told her about him. Radio Times, April 1, 1955, p. 9. Page 10: BBC recording at 2.45 pm.: Hans Andersen. Talk by Lady Southorn.

(Bibliografisk kilde: HCAH)

Haugaard, Erik Christian, The Simple Truth. Signal , nr. 11, maj 1973, pp. 69-73.

(Bibliografisk kilde: HCAH)

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. Between Children's Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005. Issued by The Hans Christian Andersen Center, University of Southern Denmark, Odense. 2007. 639 s.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)

(Bibliografisk kilde: HCAH)

MIHAYLOVA, NADEZDHA (red.), [bulgarsk] / The Unknown Andersen. Department of German and Scandinavian Studies, Faculty of Classic and Modern Philologies, "St. Kliment Ohridski" University of Sofia, Sofia 2008. 430 pp. – Bidrag til international konference afholdt 4.-6. april 2005. – Indhold: [Dimensions in Time and of the Spirit:] SIMON GRABOWSKI, "H.C. Andersen and the Transcending Unity of the Oceanic Life Story", pp. 43-50; *VERA GANCHEVA, "Hans Christian Andersen and His Epoch", pp. 51-70; *BORIS MINKOV, "H.C. Andersen and the Money of the Romanticists", pp. 71-76; *ELIZARIA RUSKOVA, "H.C. Andersen as a Playwright", pp. 77-92; *NADEZHDA MIHAYLOVA, "Andersen the Poet", pp. 93-100; KARL PONTUS LINDGREN, "Andersen and Strindberg – Two Recluses from the North", pp. 101-04; *KINA KUDREVA, "The Phenomenon Andersen", pp. 105-08; *MALINKA DIMITROVA, "Andersen in the Contemporary West European Children's and Youths' Literature", pp. 109-13; *GERGANA APOSTOLOVA, "The End is Not Important", pp. 114-28; *ALBENA IVANONA, "Hans Christian Andersen in the Virtual World", pp. 129-31; ELITSA STOITSOVA, "Hans Christian Andersen and the Free Flow of Fairy Tales", pp. 132-40; *VLADIMIR STARIADEV, "Translating Andersen (a Psycholinguistic Analysis)", pp. 141-44; *ANTONIA BUCHUKOVSKA, "Linguistic Aspects of the Translation of Andersen's Fairy Tales into Bulgarian", pp. 145-49; *TANYA STOYANOVA, "Ran Bossilek and Hans Christian Andersen – Parallels in Life and Creative Dialogue", pp. 150-57; GAYANE ORLOVA, "The Image of H.C. Andersen in the Russian Press and Translations (the End of 19th – the Beginning of 20th Centuries)", pp. 158-63; SVEN HAKON ROSSEL, "Der dänische Märchendichter Hans Christian Andersen und Österreich", pp. 164-67; SARI PÄIVÄRINNE, "Hans Christian Andersen in Finland", pp. 168-76; *KIRYAK TSONEV, "From Shahrazad to the Snow Queen", pp. 177-82. [A Dane and Citizen of the World:] *ERIKA LAZAROVA, "The Traveller H.C. Andersen or the Road as a Metaphor of Life", pp. 185-203; LONE FUNCH KOFOED, "Shadow Pictures from a Journey to Harzen – Truth or Tale", pp. 204-10; ELENA BALZAMO, "H.C. Andersen's Sweden: '… Only the Minarets Are Lacking'", pp. 211-20; *ZDRAVKA HRISTOVA, "The Balkans in H.C. Andersen's Work", pp. 221-30; *BISERA DAKOVA, "The Paradoxical Narrative Perspective in H.C. Andersen's Autobiographical Work 'The Fairy Tale of My Life' (1847)", pp. 231-36; MARGARITA HRISTOVA, "A Glance at Some of the Autobiographic Works of H.C. Andersen", pp. 237-41; *KATYA KUZMOVA-ZOGRAFOVA, "The Image of the Creator between Magic and Illness", pp. 242-51; *ARCHIMANDRITE PAVEL STEFANOV, "H.C. Andersen's Religion", pp. 252-60; *TSVETANKA ELENKOVA, "The Faith in Andersen's Fairy Tales", pp. 261-64; *CLEO PROTOHRISTOVA, "Andersen's Mirrors – Epistemology and Narrativity", pp. 265-73; *ANTONIA GOSPODINOVA, "H.C. Andersen and the Fairy Tale Tradition in Northern Europe", pp. 274-81; *HRISTO STANCHEV, "Mythopoetical Aspects in 'The Little Mermaid' by H.C. Andersen", pp. 282-88; *KRASSIMIR DELCHEV, "'The Little Mermaid' by H.C. Andersen and the Nymphs in the Bulgarian Folklore", pp. 289-98. [Fairy Tales for Young and Adults:] *PETAR HADZHINAKOV, "Hans Christian Andersen – the Philosophy of the Fairy Tale", pp. 301-04; *MARGARITA TERZIEVA, "The Scientific and Technical Achievements in Andersen's Fairy Tales", pp. 305-08; *SVETLANA STOYCHEVA, "Archetypal Relativity and Personalization in Andersen's Fairy Tales", pp. 309-18; *MARGARITA SLAVOVA, "The Magic of the Kiss in the Fairy World of H.C. Andersen", pp. 319-25; *MAYA VUKOVSKA, "Are the Bad Characters in H.C. Andersen's Fairy Tales Really that Bad?", pp. 326-29; *ILIANA BENINA, "The Beautiful in H.C. Andersen's Fairy Tales", pp. 330-36; *NIKOLA BENIN, "The Image of the Death in Andersen's Fairy Tales", pp. 337-44; VLADIMIR NAYDENOV, "Five Fairy Tales by H.C. Andersen in Terms of Vladimir Propp's Morphology of the Genre", pp. 345-54; *ELENA ROUSSINOVA, "H.C. Andersen and the Education", pp. 355-62; *NADEZHDA MADOLEVA, "H.C. Andersen and 'Tiny Flower with Seven Blossoms'. Love and Wisdom, Faith and Hope", pp. 363-71; RALITSA GELEVA-TSVETKOVA, "Illustrations of Andersen's Characters in Book Design and Children's Drawings", pp. 372-77; *ELENA FURNADZHIEVA, "At an H.C. Andersen Birthday Party in Odense", pp. 378-82; VASSIL PENEV, "H.C. Andersen and Denmark between Two Epochs", pp. 383-84. Summaries and Information about the Authors, pp. 385-422. - * betyder: bulgarsk tekst.