HCA-litteratur p� engelsk fra d. 21. �rhundrede*
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184 optegnelser om litteratur af og om H.C. Andersen p� engelsk i det 21. �rhundrede
Hans Christian Andersen and the Poetics of Travel
Svane, Marie-Louise, "Hans Christian Andersen and the Poetics of Travel". I: Hubert Seelow (red.), Salonkultur und Reiselust. Nordische und Deutsche Literatur im Zeitalter der Romantik. Ein Symposium zum 200. Geburtstag von P. U. Kernell. Universitäts-Bund Erlangen-Nürnberg, Erlangen 2000. Pp. 139-56. (Erlanger Forschungen, A: Geisteswissenschaften, 93.)
Bibliografi-ID: 11196 – l�s mere
Hans Christian Andersen. The Life of a Storyteller
Wullschlager, Jackie, Hans Christian Andersen. The Life of a Storyteller. Allen Lane/The Penguin Press, London 2000. Adam A. Knopf, New York; xviii, 506 pp., 24 pls. – Anm.: Brooke Allen, New York Times/Sunday's Book Review 20.5.2001; Thomas Bredsdorff, Politiken 9.12.2000; Bodil Krogh, Jyllands-Posten 10.12.2000; Tess Lewis, The Hudson Review, Vol. 54, No. 4, Winter, 2002), pp. 679-86; Alison Lurie, The New York Review of Books, XLVIII:13, 9.8.2001, pp. 4-6; B. Page, Bookseller 29.9.2000, p. 34; C. Prendergast, London Review of Books, 8.3.2001, pp. 27-28; Klaus Rifbjerg,Information, 19.6.2001. – Paperback, Penguin, London 2001.
(Bibliografisk kilde: HCAH 2000/788, anm.: 2001/109)
Bibliografi-ID: 11217 – l�s mere
Grim Tales
Gold, Kari Jenson, "Grim Tales". First Things, nr. 106, okt. 2000, pp. 17-19. – Om Disney-industriel mishandling bl.a. af HCA's "Den lille Havfrue".
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11279 – l�s mere
The Mask of Maidenhood. Andersen's 'The Little Mermaid'
Johansen, Jørgen Dines, "The Mask of Maidenhood. Andersen's 'The Little Mermaid'". Semiotica, CXXVIII, 2000, pp. 349-57. – Forkortet/revideret version af bidrag til: Scandinavian Studies, LXVIII, 1996, pp. 203-41.
Bibliografi-ID: 11306 – l�s mere
The Little Mermaid. Icon and Disneyfication
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12256 – l�s mere
The Fairy Tale of My life. An Autobiography.
Bibliografi-ID: 12513 – l�s mere
Hans Christian Andersen.
Bibliografi-ID: 12514 – l�s mere
Grim Tales.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 13793 – l�s mere
Hans Christian Andersen Tradition(s) in English.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 18392 – l�s mere
The Mirror Broken: Women's Autobiography and Fairy Tales.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 19363 – l�s mere
Andersen's Fairy tales and Folktales.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 18282 – l�s mere
A fairy-tale life?
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 18915 – l�s mere
Hans Christian Andersen. The Life of a Storyteller
Illustr., indb. m. noter, bibliografi, emne- og navneindeks. 506 sider, £ 20. The Penguin Press, London.
"Wulschlager is the first English biographer to return to original Danish sources and to have revisited the principal places where Andersen lived" (front flap). - Anm.: Thomas Bredsdorff, Politiken 9.12.2000; Tess Lewis: "A Drop of Bitterness. Andersen’s Fairy Tales”. The Hudson Review, 54, 2002, pp. 679-86.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 5657 – l�s mere
Red Shoes and Bloody Stumps
Mackie, Erin, "Red Shoes and Bloody Stumps". I: Shari Benstook & Suzanne Ferriss (red.), Footnotes. On Shoes. Rutgers University Press, New Brunswick/London 2001. Pp. 233-47. - Teksten gengivet i Erik Christian Haugaards oversættelse pp. 305-10.
Bibliografi-ID: 11134 – l�s mere
Hans Christian Andersen Tradition(s) in English
Bibliografi-ID: 12941 – l�s mere
Hans Christian Andersen: Selected Fairy Stories.
(Bibliografisk kilde: HCAH 2005/386, 2001/12)
Bibliografi-ID: 16321 – l�s mere
The Little Mermaid.
(Bibliografisk kilde: HCAH 2001/120)
Bibliografi-ID: 19603 – l�s mere
Factsheet Denmark. Literature / Dänische Themen. Literatur / Documentation danoise. Littérature / Datos sobre dinamara. Literatura.
(Bibliografisk kilde: HCAH 2001/99, 2001/103, 2001/102, 2001/98)
Bibliografi-ID: 16723 – l�s mere
The Trident and the Fork. Disney’s ‘The Little Mermaid’ as a Male Construction of an Electral Fantasy
Bibliografi-ID: 17743 – l�s mere
Denmark's fair tale capital.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 20124 – l�s mere
The 12th European Union Film Festival.
(Bibliografisk kilde: HCAH 2002/65)
Bibliografi-ID: 16722 – l�s mere
The Unknown Hans Christian Andersen - Storyteller and Poet, also for Adults ...
Bibliografi-ID: 7604 – l�s mere
Astrid Stampes Billedbog
Andersen, H. C. & Adolph Drewsen, Astrid Stampes Billedbog. Udg. af Odense Bys Museer ved Karsten Eskildsen. Gyldendal, København 2003. 413 pp. – Indledning pp. 9-15; noter pp. 329-70; efterskrift pp. 371-407. – Anm.: Bo Bjørnvig, Weekendavisen/Bøger 2.5.2003; Marianne Koch, Fyens Stiftstidende 26.4.2003; Lars Ole Knippel, Jyllands-Posten 2.5.2003; Helene Moe, Kristeligt Dagblad 1.5.2003; Ole Nørlyng, Berlingske Tidende 1.5.2003; Bente Scavenius, Børsen 1.5.2003; Mette Winge, Politiken 3.5.2003.
link
- Også på engelsk: "Astrid Stampe's Picture Book".
link
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 10989 – l�s mere
Begæringens nådesløse tragedie. Om H. C. Andersens 'Den lille Havfrue'
Johansen, Jørgen Dines, "Begæringens nådesløse tragedie. Om H. C. Andersens 'Den lille Havfrue'". I hans: Litteratur og begær. Ti studier i dansk og norsk 1800-tals litteratur. Syddansk Universitetsforlag, Odense 2003. Pp. 61-92, 325-26. (University of Southern Denmark Studies in Scandinavian Languages and Literatures, 55.) – På engelsk "The Merciless Tragedy of Desire. An Interpretation of H.C. Andersen's "Den lille Havfrue"; i: Scandinavian Studies, LXVIII, 1996, pp. 203-41, og 74, 2002, pp. 137-48.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11115 – l�s mere
Hans Christian Andersen and West Zealand
Nielsen, Stig Fjord, Hans Christian Andersen and West Zealand. The County of West Zealand, Sorø 2003. 76 pp.
Bibliografi-ID: 11155 – l�s mere
The Little Mermaid
Dewey, Donald, "The Little Mermaid". Scandinavian Review, 91:1, 2003, pp. 34-37. - Om Edward Eriksens skulptur.
Bibliografi-ID: 11461 – l�s mere
The Stories of Hans Christian Andersen
(Bibliografisk kilde: HCAH 2003/243)
Bibliografi-ID: 11775 – l�s mere
The Little Mermaid.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12525 – l�s mere
Are Ecumenical Novel-Writers the Hope of Συμπαρανεκρωμενοι? A Study in Andersen’s and Kierkegaard’s Discussion on the Importance of a Life-View in the Novel
Bibliografi-ID: 17779 – l�s mere
The Real H.C. Andersen.
(Bibliografisk kilde: HCAH 2003/243)
Bibliografi-ID: 18434 – l�s mere
Hans Christian Andersen. The boy who had the courage to be talented.
(Bibliografisk kilde: HCAH 2003/75)
Bibliografi-ID: 16594 – l�s mere
From Copenhagen and Paris: A Stravinsky Photograph-Autograph at the University of Britsh Columbia
Stravinsky was a longtime enthusiast of the fairy tales of Hans Christian Andersen, whose story The Nightingale was the inspiration for the composer's opera Le rossignol (1908-1914). In 1928, when actress-impresario Ida Rubinstein commissioned a ballet from Stravinsky, he combined his appreciation for Andersen's work with a long-harbored notion of using melodies from the music of his compatriot Tchaikovsky as the basis for a new composition. The result was Le baiser de la fée (1928) or, in its full translated title, "The Fairy's Kiss, Allegorical Ballet in Four Tableaux, Inspired by the Muse of Tchaikovsky." The ballet is based on Andersen's tale "The Ice Maiden." Stravinsky provides a compact synopsis of the story in his autobiography: "A fairy imprints her magic kiss on a child at birth and parts it from its mother. Twenty years later, when the youth has attained the very zenith of his good fortune, she repeats the fatal kiss and carries him off to live in supreme happiness with her ever afterward." The sonic language of this ballet might be described as a combination of Tchaikovsky's opulent melodies spiked with a bit of 1920s dissonance, a characteristically colorful orchestral palette, and a hint of the emotional coolness typical of Stravinsky's neo-Classical style. Stravinsky does employ some Tchaikovskian sounds and instrumental combinations, but the textures are consistently leaner than those in Tchaikovsky's own ballets. In 1934, Stravinsky condensed the nearly hour-long ballet into a Divertimento of some 25 minutes. Around the same time, he transcribed the Divertimento for violin and piano for his own use during concert tours with violinist Samuel Dushkin.Notes, Second Series, Vol. 59, No. 3 (Mar., 2003) pp. 542-55.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 19424 – l�s mere
Hans Christian Andersen (1805-1875)
Mylius, Johan de, "Hans Christian Andersen (1805-1875)". I: Marianne Stecher-Hansen (red.), Danish Writers from the Reformation to Decadence, 1550-1900. Thomson Gale, Farmington Hills, MI, 2004. Pp. 12-41. (Dictionary of Literary Biography, 300; A Bruccoli Clark Layman Book.)
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11149 – l�s mere
'Reisen ist leben, dann wird das Leben reich und lebendig'. Der dänische Dichter Hans Christian Andersen und Österreich
Rossel, Sven Hakon, "Reisen ist leben, dann wird das Leben reich und lebendig". Der dänische Dichter Hans Christian Andersen und Österreich. Edition Praesens, Wien 2004. 157 pp. (Wechselbeziehungen Österreich – Norden, 3.)
- Anm.: Peter Skrien: The Modern Language Review, Vol. 100, No. 4 (Oct., 2005), pp. 1163-64; Sabine Strümper-Krobb, Austrian Studies, Vol. 13, Austria and France (2005), pp. 252-53.(Bibliografisk kilde: HCAH: anm.)
Bibliografi-ID: 11180 – l�s mere
H. C. Andersen. Old Problems and New Readings
Sondrup, Steven P. (red.), H. C. Andersen. Old Problems and New Readings. Provo, UT, 2004. vi, 294 pp. (Papers from the Third International Hans Christian Andersen Conference held at Snowbird, Utah, USA, 12-16 June 2000; published by The Hans Christian Andersen Center, The University of Southern Denmark Press, Brigham Young University.) (Indhold: Steven P. Sondrup, "Introduction", pp. 1-6; Nathaniel Kramer, "H. C. Andersen's 'Tante Tandpine' and the Crisis of Representation", pp. 7-32; James Massengale, "Ut Poesis (Picturae) Musica", pp. 33-74; Jacob Bøggild, "Ruinous Reflections. On H. C. Andersen's Ambiguous Position Between Romanticism and Modernism", pp. 75-96; Marianne Stecher-Hansen, "H. C. Andersen's 'Historien om en Moder'. Allegory and Symbol in the Danish Golden Age", pp. 97-116; Frank Hugus, "H. C. Andersen Adapts Eugène Scribe for the Danish Stage", pp. 117-44; Kim Andersen, "'Genius'and the Problem og 'Livs-Anskuelse'. Kierkegaard Reading Andersen", pp. 145-60; Johan de Mylius, "The Andersen Legacy. Georg and Edvard Brandes in Dispute on H. C. Andersen", pp. 161-74; Herbert Rowland" "The Image of H. C. Andersen in American Magazines During the Author's Lifetime", pp. 175-98; Inge Lise Rasmussen, "H. C. Andersen. Reminiscence as Image and Echo", pp. 199-214; Niels Ingwersen, "Tall Tales on the Small Screen", pp. 215-34; Aage Jørgensen, "'What Would the Children Say...?' 'The Marsh King's Daughter' Revisited", pp. . 235-58; Annelies van Hees, "The Little Mermaid", pp. 259-70; Kristi Planck Johnson, "The Millennium. Vision Leads to Travel", pp. 271-80; Inger Lise Jensen, "Why Are There So Many Interpretations of H. C. Andersen's 'The Shadow'?", pp. 281-94.)
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11189 – l�s mere
På besøg – med H. C. Andersen på danske herregårde / Going Visiting - with Hans Christian Andersen in Danish Mansions.
Winge, Mette & Claus Seidel, På besøg – med H. C. Andersen på danske herregårde. Aschehoug, København 2004. 144 pp. – Anm.: Torben Brostrøm, Information 6.9.2004; Marie Tetzlaff, Politiken 25.8.2004.
på eng.: Going Visiting - with Hans Christian Andersen in Danish Mansions. Aschehoug 2004. 144 pp.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11216 – l�s mere
Material Witnesses. Hans Christian Andersen's 'Tingseventyr'and the Memories of Things
Gaffikin, Brigid, "Material Witnesses. Hans Christian Andersen's 'Tingseventyr'and the Memories of Things". Edda, 2004, pp. 186-200.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11277 – l�s mere
A Crime against Andersen?
Mylius, Johan de, "A Crime against Andersen?" Ny viden (udg. af Syddansk Universitet), 2004, nr. 6, p. 2.
Bibliografi-ID: 11483 – l�s mere
Scandinavian Studies
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11549 – l�s mere
Language and Literature
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11567 – l�s mere
Hans Christian Andersen and Music. The Nightingale Revealed.
(Bibliografisk kilde: HCAH: anm.)
Bibliografi-ID: 11678 – l�s mere
Tales of Hans Christian Andersen
Bibliografi-ID: 11921 – l�s mere
The Ugly Duckling, Hans Christian Anderson: A Story of Transformation.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12446 – l�s mere
The Work of Hans Christian Andersen. More than just a fairy tale
Bibliografi-ID: 12537 – l�s mere
Andersens drøm / Andersen's Dream / La Rêve d'Andersen / El sueño de Andersen / Andersens Traum
Bibliografi-ID: 12614 – l�s mere
Building Bridges from the Past to the Present Day.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 13552 – l�s mere
The Perfect Wizard. Hans Christian Andersen.
Bibliografi-ID: 17786 – l�s mere
Visions of the Snow Queen
Bibliografi-ID: 17832 – l�s mere
A Fairy Tale. The Life and Work of Hans Christian Andersen
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 17789 – l�s mere
Ugly Ducklings? Studies in the English Translations of Hans Christian Andersen's Tales and Stories.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12534 – l�s mere
H.C. Andersen. Old Problems and New Readings
Sondrup, Steven P. (red.): H.C. Andersen. Old Problems and New Readings. Papers from the Third International Hans Christian Andersen Conference. Indlæg fra den tredie internationale HCA-konference, der blev afholdt i juni 2000 i Snowbird, Utah, USA. Bogen indeholder en introduktion, "Introduction", af redaktøren, professor Steven P. Sondrup, og 14 indlæg:
- Nathaniel Cramer: H.C. Andersen's "Tante Tandpine" and the Crisis of Representation
- James Massengale: Ut Poesis (Picturae) Musica
- Jacob Bøggild: Ruinous Reflections: On H.C. Andersen's Ambiguous Position Between Romanticism and Modernism
- Marianne Stecher-Hansen: H.C. Andersen's "Historien om en Moder": Allegory and Symbol in the Danish Golden Age
- Frank Hugus: H.C. Andersen Adapts Eugène Scribe For the Danish Stage
- Kim Andersen: "Genius" and the Problem of "Livs-Anskuelse": Kierkegaard Reading Andersen
- Johan de Mylius: The Andersen Legacy: Georg and Edvard Brandes in Dispute on H.C. Andersen
- Herbert Rowland: The Image of H.C. Andersen in American Magazines During the Author's Lifetime
- Inge Lise Rasmussen: H.C. Andersen: Reminiscence as Image and Echo
- Niels Ingwersen: Tall Tales on the Small Screen
- Aage Jørgensen: "What Would the Children Say...?": "The Marsh King's Daughter" Revisited
- Annelies van Hees: The Little Mermaid
- Kristi Planck Johnson: The Millenium: Vision Leads to Travel
- Inger Lise Jensen: Why Are There So Many Interpretations of H.C. Andersen's "The Shadow"?
Bogen er udgivet af Brigham Young University, Syddansk Universitetsforlag (www.universitypress.dk) og H.C. Andersen-Centret i forening. 294 sider, 348,00 kr.
Bibliografi-ID: 10911 – l�s mere
Andersen og Musikken, anmeldt.
(Bibliografisk kilde: HCAH)
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Et 200 års fødsels-jubilæum
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11586 – l�s mere
Synsvinkler
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11597 – l�s mere
At skrive er en Kærlighedshandling. En udstilling om H. C. Andersens erobring af skriften. København, Paris, Alexandria
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11668 – l�s mere
Hans Christian Andersen as an Artist.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11696 – l�s mere
The Funish Painters and Hans Christian Andersen. The Ugly Duckling and The Story of a Mother
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11740 – l�s mere
Hans Christian Andersen. The Misunderstood Storyteller
(Bibliografisk kilde: HCAH: anm.)
Bibliografi-ID: 11753 – l�s mere
When We Get to the End...
Read: online
Bibliografi-ID: 11800 – l�s mere
Trust the Tale, Not the Teller’. Hans Christian Andersen
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11824 – l�s mere
The Author’s Edition of H. C. Andersen’s Works. An American-Danish Collaboration
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11827 – l�s mere
Hans Christian Andersen.
Bibliografi-ID: 11835 – l�s mere
Andersen, Hans Christian, The Nightingale
Bibliografi-ID: 11843 – l�s mere
Connecting Cultures. Hans Christian Andersen as a Travel Writer
Bibliografi-ID: 11857 – l�s mere
Tales for All Ages. Twelve Prominent Danes Choose Their Favorite Hans Christian Andersen Stories and Tell Us Why.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12326 – l�s mere
Hans Christian Andersen: A Lonely Figure
Bibliografi-ID: 12335 – l�s mere
The Complete Stories.
(Bibliografisk kilde: HCAH 2005/151)
Bibliografi-ID: 12548 – l�s mere
Andy Warhol/ Hans Christian Andersen. Portraits of Hans Christian Andersen together with Three of His Paper Cuttings Created by And Warhol.
Bibliografi-ID: 12551 – l�s mere
Nabokov's 'Lolita' and Andersen's 'The Little Mermaid'.
Bibliografi-ID: 12573 – l�s mere
Little Ida's Red Shoes.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12587 – l�s mere
Hans Christian Andersen. The Illustrated Tales: With His Travels, Life and Times.
In celebration of the bicentenary of the birth of Hans Christian Andersen, a special edition of his much-loved stories has been compiled. This elegant volume, with a wealth of fully illustrated biographical information and reference material, is a stunning testament to the lasting legacy of his work. Hans Christian Andersen (1805-75) is one of the best-known storytellers of all time. He was an extraordinarily prolific and varied author whose magical stories include The Ugly Duckling, The Princess and the Pea, The Little Mermaid, The Tinderbox, The Snow Queen, The Ice Maiden, The Emperors New Clothes and many others which have become a part of folk-memory around the world. He is best known for these tales, but even these are by no means all fairy tales or ones for children. Some are straightforward fables, though he borrowed or adapted very little, most of his work being original. Together with selecting the stories, editor Charles Mosley has written a scholarly but immensely readable introduction. Detailing the prolific nature of Andersens writings, he highlights every part of his work, from fables and tales to opinion pieces and travel writings. Mosley also provides a biographical section giving details of Hans Christian Andersens life and travels, as well as sections on Andersen in art and illustration, in film, music and the stage, and even postage stamps. From his humble beginnings in a one-room house in Denmark to the end of his life, Andersens life is wonderfully chronicled.
(Bibliografisk kilde: HCAH 2005/406)
Bibliografi-ID: 16310 – l�s mere
Skyggespil / Shadow Play / Schattenspiel
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 16758 – l�s mere
H.C. Andersen. Edging toward the Unmapped Hinterland
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 17787 – l�s mere
Hans Christian Andersen - Told for Children.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 18394 – l�s mere
Artist Papercuttings by Lu Xue. An artist who made a name for herself in the world with a pair of scissors.
(Bibliografisk kilde: HCAH 2003/191)
Bibliografi-ID: 19016 – l�s mere
Hans Christian Andersen 2005. Official Programme.
Brian Mikkelsen: Tribute to a Poet
Jan Boye: Welcome to Odense The Fairy Tale Capital of the World.
Bikubenfonden: The Bikuben Foundation.
Hans Christian Andersen abc Foundation: Reading is a better Future.
Jens Andersen: 'I belong to the world' / "Verden er mit Hjem" / "Ich gehöre der Welt"
A Worldwide Celebration
The hans Christian Andersen Ambassdors
Per Theil: A World expands on Andersen. Reklamer for alle forestillinger i hele landet.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 19672 – l�s mere
Great Dane. Hans Christian Andersen wrote dark, timeless fairytales - for children and grown-ups.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 16756 – l�s mere
Andersen 200 lat / Andersen 200 years.
Bibliografi-ID: 12302 – l�s mere
Hans Christian Andersen und die Romantik.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 18294 – l�s mere
Hans Christian Andersen's Birthday Bash.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 19342 – l�s mere
Scandinavian Newsletter. A Literary and Cultural Magazine
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11543 – l�s mere
Grimme ællinger? H. C. Andersens eventyr på engelsk
Bibliografi-ID: 11813 – l�s mere
Kierkegaard Studies. Yearbook 2006.
Bibliografi-ID: 11820 – l�s mere
Hans Christian Andersen’s Andersen and the Andersen of Others. On Recent Andersen Literature. A Review Article
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 11828 – l�s mere
Plastic Storks, Panoramas and Polyphony. About the Creation of Hotel Pro Forma’s performance ’I Only Appear to Be Dead’
Bibliografi-ID: 11842 – l�s mere
More than Meets the Eye. Hans Christian Andersen and Nineteenth-Century American Criticism
(Bibliografisk kilde: HCAH: anm.)
Bibliografi-ID: 11850 – l�s mere
Removing the Grime from Scandinavian Classics. Translation as Art Restauration.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12440 – l�s mere
Essays on Literature and Translation.
Bibliografi-ID: 12300 – l�s mere
'Nur manchmal mussten sie laut und unverhofft lachen’. Kerstin Hensel’s Use of Märchen
Bibliografi-ID: 12307 – l�s mere
Life and Death in ’The Little Mermaid’. Three Contemporary Adaptations of Hans Christian Andersen’s Fairy Tale.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12312 – l�s mere
The Idle Spectator. Hans Christian Andersen’s Dryaden (1868), Illustreret Tidende, and the Universal Exposition.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12319 – l�s mere
The Orient According to Hans Christian Andersen. Conceptions of the East in ‘En Digters Bazar’.
Bibliografi-ID: 12320 – l�s mere
'The Nasty Little Pea'. Gisela von Arnim's Proto-Feminist Re-Vision of Hans Christian Andersen's 'The Ugly Duckling'
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12438 – l�s mere
Plastic Storks, Panoramas and Polyphony. About the Creation of Hotel Pro Forma's Performance 'I Only Appear to Be Dead'.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12616 – l�s mere
Copyright and Other Fairy Tales. Hans Christian Andersen and the Commodification of Creativity
(Bibliografisk kilde: HCAH: anm.)
Bibliografi-ID: 13138 – l�s mere
Hidden, but not Forgotten: Hans Christian Andersen's Legacy in the Twentieth Century.
Pp. 149-151: Andrea Immel, Cotsen Children's Library: Preface to the special issue.
Pp. 155-65: Diana Frank and Jeffrey Frank: On Translating Hans Christian Andersen.
Pp 166-78: Johan de Mylius: Our time is the time of the fairy tale. Hans Christian Andersen between Traditional Craft and Literary modernism.
Pp 179-92: Julia Briggs: A Liberating Imagination: Andersen in England.
Pp 193-207: Naomi Wood: The Ugly Duckling's Legacy: Adulteration, Contemporary Fantasy, and the Dark.
Pp. 208-23: Hans Heino Ewers: H.C. Andersen as Seen by Critics of German Children's Literature since the Beginning of the Twentieth Century.
Pp. 224-37: Jack Zipes: Critical Reflections about Hans Christian Andersen, the Failed Revolutionary.
Pp 238-48: Jane Yolen: From Andersen On: Fairy Tales Tell Our Lives.
Pp. 249-56: Mikhail Magaril: Migratory Birds: Illustrating Andersen's "Nightingale".
(Bibliografisk kilde: HCAH)
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The Artists of 1805: The Theatrical Collaboration of Andersen, Bournonville, and Hartmann.
(Bibliografisk kilde: HCAH)
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The Andersen Project.
(Bibliografisk kilde: HCAH)
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Introducing China And Its People.
(Bibliografisk kilde: HCAH)
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Told for Children? Hans Christian Andersen’s Fairy Tale and their Audiences.
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Up From the Sea. A Jungian Interpretation of 'The Little Mermaid'.
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An Andersen Letter and ‘Don Giovanni’.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12284 – l�s mere
Cultural Relativism and Grounded Politics in Robert Lepage’s ’The Andersen Project’.
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Andersen after 2005: Will It Ever End? On Four Recent Volumes on the Tales of Hans Christian Andersen.
Elizabeth Oxfeldt: H.C. Andersen. Eventyr, kunst og modernitet. Landslaget for Norskundervisning.
Aage Jørgensen; Henk van der Liet: H.C. Andersen. Modernitet & Modernisme. Amsterdam Contributions to Scandinavian Studies 1.
Herbert Rowland: More Than Meets the Eye. Scandinavian Studies, 79, 2007, s. 489-510.
(Bibliografisk kilde: HCAH)
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Religious Views in Hans Christian Andersen’s Works – and their Literary Implications.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12293 – l�s mere
Scandinavica 2007. Special Issue on Hans Christian Andersen. New Approaches.
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The World in Pieces. Concepts of Anxiety in H. C. Andersen’s ‘The Snow Queen’
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 12299 – l�s mere
Hans Christian Andersen. Between Children’s Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)
(Bibliografisk kilde: HCAH)
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Our Time is the Time of the Fairy Tale. Hans Christian Andersen between Traditional Craft nd Literary Modernism
(Bibliografisk kilde: HCAH)
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Reading the Fairy Tales of Hans Christian Andersen and the Novels of Horatio Alger as Proto-Entrepreneurial Narrative
Bibliografi-ID: 13227 – l�s mere
The Transformation of Folktales and Fairy Tales into Popular Booklets
(Bibliografisk kilde: HCAH 1980/1695)
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Review.
Voyages en Suisse 1833-1873. Trans. by Régis Boyer.
The Modern language Review, vol. 102, no 1, Jan 2007, pp. 292-94.
(Bibliografisk kilde: HCAH)
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The Annotated Hans Christian Andersen
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Ambiguity translated for children.
(Bibliografisk kilde: HCAH)
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From Thumbelina to Winnie-the-Pooh: Pictures, Words, and Sounds in Translation.
(Bibliografisk kilde: HCAH)
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Swarms and Enthusiasts. Transfers in/as Choreography.
(Bibliografisk kilde: HCAH)
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The Emperor’s New Clothes. Display, Cover-Up, and Exposure in Modern Masculinity
Bibliografi-ID: 12259 – l�s mere
Illustrations and Ambiguity in Eighteen Illustrated Translations of Hans Christian Andersen’s ‘The Steadfast Tin Soldier’
(Bibliografisk kilde: HCAH)
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The Discovery of Nineteenth-Century Scandinavia.
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[bulgarsk]/ The Unknown Andersen.
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From Thumbelina to Winnie-the-Pooh. Pictures, Words, and Sounds in Translation
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Paula Rego.
(Bibliografisk kilde: Dal)
(Bibliografisk kilde: HCAH)
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The Other as Subject, or ‘The Little Mermaid’ Revisited
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Two Tales from 'Cruel Fairy Tales for Adults'
(Bibliografisk kilde: HCAH)
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How Kierkegaard Became 'Kierkegaard'.
(Bibliografisk kilde: HCAH)
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Do you know the land, where the lemon trees bloom? Hans Christian Andersen and Italy.
(Bibliografisk kilde: HCAH)
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Cold Desire. Snow, Ice and Hans Christian Andersen
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Hans Christian Andersen. Andersen was Just an Excuse
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‘Hvad siger den lille Sommergjæk?’ Flowers and Embedded Stories in H.C. Andersen’s Tales
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The Ideology of the Mermaid. Children’s Literature in the Intro to Theory Course
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De vilde Svaner.
(Bibliografisk kilde: HCAH: kin. 2012/10)
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The Endurance of Female Love: Romantic Ideology in H.C. Andersen's 'The Snow Queen'
(Bibliografisk kilde: HCAH)
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Perception – Representation – Reflection. H.C. Andersens’s Rome in Picture and Text
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No Sex in Narnia? Hans Christian Andersen’s ‘Snow Queen’ Problematizes C.S. Lewis ‘The Chronicles of Narnia’
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Eliseo Diego and Fairy Tales.
(Bibliografisk kilde: HCAH)
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My work on Andersen’s fairy tales.
(Bibliografisk kilde: HCAH)
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Andersen and Tradition: Animal Tales and
(Bibliografisk kilde: HCAH)
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Andersen's English.
(Bibliografisk kilde: HCAH)
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Mermaid Tales on Screen: ‘Splash’, ‘The Little Mermaid’, and ‘Aquamarine’
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Intermedial Reference as Metareference: Hans Christian Andersen’s Musical Novels.
(Bibliografisk kilde: HCAH)
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Renzo and Lucia at Det Kongelige Teater. From Alessandro Manzoni’s novel ‘I promessi sposi’ (1827) to Hans Christian Andersen’s operetta ‘Brylluppet ved Como-Søen’
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The Enchanted Screen
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George Eliot and the Prima Donna's 'Script'
Hans Christian Andersen predates Sand by seven years in refashining the musical poetess Corinne into a prima donna ...The Yearbook of English Studies, Vol. 40, No. 1/2, The Arts in Victorian Literature (2010, pp. 103-20.
(Bibliografisk kilde: HCAH)
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The Emperor's New Clothes: a moral tale for development experts?
(Bibliografisk kilde: HCAH)
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The Real Princess, and The Garden of Paradise.
(Bibliografisk kilde: Bredsdorff)
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Charles Dickens. A Life.
(Bibliografisk kilde: HCAH)
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The Garden of Eden.
Contents: Introduction by W. Glyn Jones, The Garden of Eden, The Evil Prince, The Angel, The Bell, The Story of a Mother, Judgement Day, A Leaf from Heaven, The Marsh King's Daughter, Something, The Girl who Trod on the Loaf, The Child in the Grave, Pen and Inkwell, The Most Incredible Thing, The Cripple.
Bostrup Publishers, Copenhagen, 2011. 127 p.
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Shadow Pictures.
(Bibliografisk kilde: HCAH)
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Telling Tales. Dying for a Happy Ending
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La Reina de las Nievas. Retelling Andersen as a Parable of the Spanish Republic and Desmemoria
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Reading Disability in Children's Literature: Hans Christian Andersen's Tales.
(Bibliografisk kilde: HCAH)
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Forum for World Literature Studies
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Relics and Rituals. The Canonization of Cultural ‘Saints’ from a Social Perspective
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“Speaking of Irony. Bournonville, Kierkegaard, H. C. Andersen and the Heibergs
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No Nailing Fins to the Floor. Ambivalent Femininities in Anna Melikian’s ‘The Mermaid’
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The European Context of Nazor's Children's Stories on the Theme of Crossing over the Worlds.
(Bibliografisk kilde: HCAH)
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A Medley of Diverting Treasures. All Done with Scissors.
(Bibliografisk kilde: HCAH)
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H.C. Andersen Prisen /The Hans Christian Andersen Award.
Forord (s. 5-11) af priskomiteen, Anker Boye, Brian Mikkelsen. Historien (s. 13-20), Prisen og Diplom (s. 21-23). Prismodtagere:
1996: Johannes Møllehave, Multimedia HCA;
1997: Lin Hua, Odense Teater, HCA-Festspillene;
1998: Gisela Perlet, Johan de Mylius, New York Storytelling Center;
1999: Annelies van Hees, Folketeatret, Starbright Foundation;
2000: Ghita Nørby, H.C. Andersen Paraden, Régis Boyer;
2001: Boris Diodorov, Erik Dal, Susse Wold;
2002: Den lille havfrue, Jackie Wullschlager, Kirsten Dreyer;
2003: Antanas Markuckis, Niels Oxenvad, Sonia Brandes;
2004: Dronning Margrethe, Ana Maria da Costa S. Menin, Bruno Berni;
2005: Günther Grass, Sebesjkoje specialnoje professionalnoje ved Sergej Semjonov, A. Film;
2006: Rumle Hammerich, Jens Olesen, Shi Quine;
2007: Ib Spang Olsen, Berliner Märchentage, Boguslawa Sochanska;
2008: Aage Jørgensen, Fyrtøjet - et kulturhus for børn, Enrique Bernárdez;
2009: Pia Kryger Lakha, Ljudmila Braude, John Neumeier;
2010: Kjeld Heltoft, Marc Auchet, Victory Gardens Theater,
(Bibliografisk kilde: HCAH)
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Ann Todd comes face to face with Hans Christian Anderson's false teeth in his home town of Odense in Denmark.
(Bibliografisk kilde: HCAH)
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The Ice Maiden.
(Bibliografisk kilde: HCAH
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When heritage tourism goes glocal - The Little Mermaid in Shanghai.
(Bibliografisk kilde: HCAH)
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The Fairy Tales of Hans Christian Andersen.
ek1, ek3, ek4, ek5, ek8, ek9, ek12, ek16, ek19, ek20, ek23, ek24, ek25, ek27, ek32, ek36, ek37, ek64, ek92, ek93, ek100, ek102, ek156, Illustr: Laura Barrett, Katharine Beverly, Harry Clarke, Elizabeth Ellender, Theo van Hoytema Hertha List, Georgii Ivanovich Narbut, Einar Nerman, Kay Nielsen, Josef Palacek, Vilhelm Pedersen, Arthur Rackham, Lotte Reiniger, Tom Seidmann-Freud, Maurice Sendak, Heinrich Strub, Takeo Takei, Gustav Tenggren.
(Bibliografisk kilde: HCAH 2013/59)
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Ogawa Yoko and Higami Kumiko's Transformations of 'The Little Mermaid'
(Bibliografisk kilde: HCAH)
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'Reeling in' Grimm Masculinities. Hucksters, Cross-Dressers, and Ninnies.
The problem with this rosy image of a highly neurotic man, who was afraid to love and had only occasional contact with children, ist that it belies the profound and disturbing contribution that Andersen made to the fairy-tale tradition throughout the world. Indeed, Andersen's cultural contributions currently undergo the same trivializtion and Disneyfication as the author himself. Such treatment affects the seriousness with which a work is viewed in cultural industries. The critial edge of authors' writings - such as insights about social injustice and political turmoil - are too often omitted entirely.Marvels & Tales, VOl. 27. No. 1 (2013), PP. 65-88.
(Bibliografisk kilde: HCAH)
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Antoín Dvoràk: Rusalka.
Steen Frederiksen: Dvorak og hans operaer.
næten hele år 1900 arbejdede Dvorák på Rusalka, inspireret både af tidens digning, barndommens eventyr af H.C. Andersen og ikke mindst naturen omkring hans elskede sommerhus i Vysoka.Det Kongelige Teater. København, 2013. 44 s.
(Bibliografisk kilde: HCAH)
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The Fairy Tale and the Periodical: Hans Christian Andersen's Scrapbooks.
(Bibliografisk kilde: HCAH)
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Hans Christian Andersen. European Witness.
- Anm.: The Times Literary Supplement 23 July 2014: "For Binding, the point of the biographical material is to demonstrate the intimate connection between Andersen’s writing and his remarkable life"; The Guardian 29 May 2014; The Telegraph, 9 May 2014.
(Bibliografisk kilde: HCAH)
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The Complete Fairy Tales.
(Bibliografisk kilde: HCAH 2015/1)
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Hans Christian Andersen. Tales.
Tællelyset, ek1, ek2, ek3, ek4, ek5, ek6, ek7, ek8, ek9, ek10, ek12, ek13, ek15, ek16, ek17, ek19, ek20, ek21, ek23, ek24, ek25, ek26, ek27, ek29, ek30, ek31, ek32, ek34, ek36, ek37, ek43, ek44, ek45, ek46, ek47, ek48, ek51, ek53, ek58, ek59, ek60, ek61, ek62, ek71, ek78, ek81, ek83, ek92, ek98, ek101, ek102, ek103, ek106, ek108, ek117, ek123, ek126, ek137, ek142, ek151, ek152, ek154, ek155
(Bibliografisk kilde: HCAH 2015/2)
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The Ugly Duckling Is a Swan. On Turnaround Stories.
(Bibliografisk kilde: HCAH)
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The Original Folk and Fairy Tales of the Brothers Grimm
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Hans Christian Andersen's life is the perfect script.
(Bibliografisk kilde: HCAH)
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The invisible robe. An alternative ending to a famous tale.
"Mr. Andersen gave me this. He told me the people in Copenhagen objected to it":Times Literary Supplement, February 21, 2014.
'But he has no robes on at all!' a little child cried out.
'That rude child wants to spoil the procession', said a bystander.
'He is trying to spoil the procession,' said all the people.
And so they beat the child with their walking sticks, and those who had no walking sticks threw mud at him.
But the Emperor thought within himself, 'I must go through with the procession,' and so he held himslef a little higher, and the chambrlains held on tighter than ever, and carried the train that was not there at all.
This piece of news appears to be a mistake, as the Hackney Archives on request informs "that among their holdings, they only have a portrait of Mary Howitt. The statement in the Times Literary Supplement seems, therefore, to be a mistake".
30 April 2014.
Solveig Brunholm: Letter to the Editor: The alternative ending was a fabrication. Times Literary Supplement, June 6, 2014.
(Bibliografisk kilde: HCAH)
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60 lat Teatru Hansa Christiana Andersena w Lublinie.
(Bibliografisk kilde: HCAH)
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Hans Christian Andersen in China.
p. 7: Foreword by Her Majesty Queen Margrethe II of Denmark.
p. 9: Johs. Nørregaard Frandsen, Sun Jian, and Torben Grøngaard Jeppesen: Preface.
p. 13: Johs. Nørregaard Frandsen: Hans Christian Andersen and his Chinese Dreams.
p. 29: Sun Jian: The Reception of Hans Christian Andersen on Campus.
p. 39: Lu Li'an: Ransoming Andersen. China's Reception of Hans Christian Andersen and the Dilemma of its Andersen Studies.
p. 75: Ye Rulan: Hans Christian Andersen in China. An Overview.
p. 95: Anne Klara Bom: When Heritage Tourism goes Glocal. The Little Mermaid in Shanghai.
p. 117: Li Hongye: Chinese Interpretations of Andersen's Fairy Tales.
p. 123: Zu Jianxin: A Discussion on Political Appropriation of Andersen's Fairy Tales in China.
p. 133: Wang Aiping: Fantasy, Irony, and Autonomy. A Feminist Transcoding of "The Little Mermaid".
p. 147: Jacob Bøggild: Hans Christian Andersen and the Arabesque.
p. 155: Chen Liang: Gender, Body, and Space. A Spatial Analysis of "The Little Mermaid".
p. 167: Ye Rulan: Paper Cutting. A Universal Language of Hans Christian Andersen.
p. 179: References.
p. 191: Bio Notes.
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Hans Christian Andersen. Catalogue of first editions, original autographed letters, drawings etc. collected by Jens S. Bork.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 19756 – l�s mere
Anderseniana 2014.
Summary: Overvejelser efter at have skrevet 'Hans Christian Andersen - European Witness'
pp. 25-64: Ejnar Stig Askgaard: "Drømt at jeg skrev og Bogstaverne stak Ild i Papiret" - træk af H.C. Andersens fortællekunst.
Summary: Characteristics of Hans Christian Andersen's mode of narration.
pp. 65-76: Jun Wu: Some Random Thoughts on Andersen and Lu Zun.
Summary: Strøtanker om Andersen og Lu Xun.
pp. 77-94: Ane Grum Schwensen: "Iisjomfruen" imellem former.
Summary: "The Ice Maiden" in between shapes.
pp. 95-112: Hilding Ringblom: H.C. Andersens syngespil 'Bruden fra Lammermoor' - en meget personlig hjertesag.
Summary: Hans Christian Andersen's Ballad Opera 'The Bride of Lammermoor'.
pp. 113-123: Heinrich Detering: Andersen læser Storm.
Summary: Andersen reads Storm.
pp. 124: Biografiske oplysninger om forfatterne.
p. 125: Forkortelser.
Forlaget Odense Bys Museer. Odense. dec. 2013. 125 s.
(Bibliografisk kilde: HCAH)
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H.C. Andersen med varulve og voldtægt.
(Bibliografisk kilde: HCAH)
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Hans Christian Andersen House of Fairytales. Content Competition Brief.
(Bibliografisk kilde: HCAH)
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30 poems of Hans Christian Andersen.
Barn Jesus i en Krybbe laae - Baby Jesus in a manger lay
Vort jordliv er kun regn og rusk - Our earthly life's but squall and rain
I Danmark er jeg født - In Denmark I was born
Det døende barn - The Dying Child
Jeg saae den spæde, grønne Rosenknop - I saw the tender rosebud, gren and small
Digterens sidste Sang - The Poet's last song
Et evigt Liv tør jeg ikke kræve - Eternal life I daren't ask for - never.
Hjertets melodier - Melodies of the Heart
Hytten - The cottage
Soldaten - The soldier
Langelandsk Folkemelodi - Langeland folk song
Graat Veir - Grey weather
Mit Barndomshjem - My Childhood Home
Moderen med Barnet - Mother and Child
Hun er saa hvid - She is so White
Poesien - Poetry
Med Eau de Cologne - Eau de Cologne
Rosenknoppwn - The rosebud
Paa ballet - At the ballet
Taaren - The tear
Min lille Fugl - My Little bird
Vandring i Skoven - Walking in the Woods
Jeg elsker dig - I love you
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 19884 – l�s mere
Lad eventyret begynde. Et helt nyt eventyrhus til 305 millioner kroner skal stå færdigt i 2020.
Erik Thomsen: Det er prikken over iet. For alene illustrationerne fra arkitektfirmaet giver en lyst til at gå på opdagelse i en ny og langt større Lotzes Have.
HCA skal på ophold hos Carl Nielsen. Når byggeriet af det nye H.C. Andersens Hus begynder, skal der være midlertidig Andersen-udstilling i det nuværende Carl Nielsen Museum.
Lars Havelund: HCA-projektet kan tvinge paraden væk. Glæde ved penge fra Møller, Realdania og fra Odense Kommune, men pas nu på eventyrslottet ... jeg har fuld tillid til, at der kan findes en god og varig placering af HCA-paraden og dens eventyrslot i området - også i fremtiden.Fyens Stiftstidende, 1. og 2. november 2016. -
På rejse i mennesket, eventyret og mindet. 130 mennesker var nysgerrige efter at vide mere om det kommende eventyrhus. Fyens Stiftstidende, 2.12.2016. Borgermøde om Det Nye H.C. Andersens Hus. Fyens Stiftstidende, 3. marts 2017.
[Reuters UK]
Alt skal væk. Ved månedens udgang lukker museet ved H.C. Andersens Hus. bygningerne her skal rives ned for at gøre plads til Eventyrhuset. Nedtælling for H.C. Andersen Museet. Ved månedens udgang lukker HCA-museet og Børnekulturhuset Fyrtøjet. Museet åbner 20. januar i en mindre udgave på ny adresse. Fyrtøjet skal til Japan og til Nyborgladen. Til foråret genopstår børnekulturhuset i nye rammer. Det nuværende interiør sendes til Odenses japanaske venskabsby. Fyens Stiftstidende, 23. oktober 2017.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 20149 – l�s mere
Japansk Tidsskrift: Monkey.
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 20283 – l�s mere
How guest Hans Christian Andersen destroyed his friendship with Dickens
Også omtalt i: Der Gast, ein Fisch. Frankfurter Allgemeine Zeitung, 12. September 2017.
Efter Bogen: For meget Hans Christian og for lidt Lisbeth.Politiken, 16.9.2017. Karikaturtegning: En sælsom gæst, Politiken, 19.9.2017
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 20494 – l�s mere
Anderseniana 2019
Jacob Bøggild: Showet må fortsætte – indtil varen er leveret
Thomas Seiler: Hva er det med Gerda? – H.C. Andersens Sneedronningen i lys av det tapte fellesskapet
Johs Nørregaard Frandsen: H.C. Andersen og de royale forbindelser – Prinsesse Dagmar, eventyret og telegrafen [heri s. 83 brev fra Storfyrstinde Dagmar til HCA]
Jan Søttrup: Et trin opad til det bedre – om betydningen af frimurere og biblioteker for den unge H.C. Andersen
(Bibliografisk kilde: HCAH)
Bibliografi-ID: 20570 – l�s mere