H.C. Andersen centret

Andersen, H.C.: "The Princess on the Pea", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

A new translation by Reginald Spink. Commented by Hans Andersen. Danish Foreign Office Journal, no 15, 1955, p. 21.

Signe Toksvig: "Hans Christian Andersen's Own Fairy Tale" p. 1, 25-28. "Hans Christian Andersen's House" p. 19. "Hans Christian Andersen" p. 36. Margaret Rutherford: "The World's Fairy Tale Writer" p. 39-40. "Hans Christian Andersen's 150th anniversary celebrated in the USA" p. 41. "The Princess on the Pea" p. 45. Pacific Coast Viking No 4, Montrose, California, April 1955. Tribune Oakland, April 3, 1955.

(Bibliografisk kilde: HCAH)

OPIE, IONA & PETER OPIE (eds.), The Classic Fairy Tales. Oxford University Press, London/New York/Toronto 1974. Pp. 27-28 og 206-35. – “The Tinder Box”, “The Princess on the Pea”, “Thumbelina” og “The Swineherd” med korte indledninger.

18 original lithographs on themes from the world of Hans Christian Andersen. Galerie Börjeson Malmö, 1980.
Desuden vist i Galleri Biggi, Stavanger.
Om du senast 1 juni 1980 beställer ett eller flera blad ur Tobiasses serie får du "Sagor af H.C. Andersen illustrerade av Theo Tobiasse. Översättning Erik Asklund.
Välkommen til vernissage hos Galerie Börjeson söndagen 9. mars. Öppnas av Niels Oxenvad. Theo Tobiass kommer att signera. Ernst Hugo Järegård läsar stycken af H.C. Andersen.

(Bibliografisk kilde: Dal)

(Bibliografisk kilde: HCAH bog: 1981/217)

Fabula. Zeitschrift für Erzählforschung (Göttingen), XLVI:1-2, 2005; om HCA pp. 3-125. - Johan de Mylius, “Luzifer als Märchenonkel”, pp. 3-16; Niels Ingwersen, “‘I Have Come to Despise You’. Andersen and His Relationship to His Audience”, pp. 17-28; Jacob Bøggild, “Framing the Frame of H. C. Andersen’s ‘Auntie Toothache’”, pp. 29-42; Aage Jørgensen, “Hans Christian Andersen zwischen Verwurzelung und Modernität. Unter besonderer Berücksichtigung des Märchens ‘Die Dryade’”, pp. 43-54; Klaus P. Mortensen, “The Poetry of Chance. Om Hans Christian Andersen’s ‘Picture Book without Pictures’”, pp. 55-66; Finn Hauberg Mortensen, “Rose, Stern und Spiegel. Eine Analyse von Andersens Märchen ‘Die Schneekönigin’ und ‘Der Tannenbaum’”, pp. 67-77; Maria Kaliambou, “Hans Christian Andersens ‘Reise’ in Griechenland. Zur Rezeption seiner Märchen seit Ende des 19. Jahrhunderts”, pp. 78-88; Christine Shojael Kawan, “‘The Princess on the Pea’. Andersen, Grimm and the Orient”, pp. 115; Hans-Jörg Uther, “Glück im Unglück. Hans Christian Andersens Schwank ‘Was Vater tut, ist stets das Richtige’ im Spiegel literarischer und mündlicher Überlieferungen”, pp. 116-25.

(Bibliografisk kilde: HCAH)

Jack Zipes: Andersen's Cinematic Legacy: Trivilaization and Innovation (pp. 252-80). Zipes argues that, in seeking primarily to profit from Andersen's work, populist portrayals, [...] not only misrepresent Hans Christian Andersen as a historical figure but also sustain the trivialized adaptations of his creative works. About the Danny Kaye-film, "The Little Mermaid", "The Princess on the Pea", "The Swineherd", "The Nightingale", "The Emperor's New Clothes", "The Snow Queen", "Ethics and Adaptation".

(Bibliografisk kilde: HCAH)