H.C. Andersen centret

[30 evenings] Translated by Mary Howitt, The People's Journal, nos. 19, 21, 24, 25, and 26, May-June, 1846.

(Bibliografisk kilde: Bredsdorff p. 485)

(Bibliografisk kilde: HCAH)

I: The Ugly Duck (157 s.),Oversætter ikke angivet, men eventyrene er oversat af Charles Boner og digtet (bfn197) er oversat af Mary Howitt.
Ek8, Ek14, Ek17, Ek23, Ek24, Ek25, Ek33, Bfn13
II: A Christmas Greeting (165 s.), Oversætter ikke angivet, men ek40, ek43, ek44, ek45, ek46, ek47, ek48 er oversat af Charles Beckwith. ek6, ek30, ek36, ek37, ek41, ek42 er oversat af Charles Boner.
Ek6, Ek30, Ek36, Ek37, Ek40, Ek41, Ek42, Ek43, Ek44, Ek45, Ek46, Ek47, Ek48
III: The Story Teller (160 s.), Oversætter ikke angivet, men eventyrene er oversat Charles Boner. Digtet (bfn197) af Mary Howitt.
Ek7, Ek13, Ek16, Ek19, Ek21, Ek22, Ek29, Bfn197
IV: The Shoes of Fortune (187 s.),Oversætter ikke angivet, men Charles Boner.
Ek10, Ek26, Ek27, Ek28, Ek31, Ek34
V: Little Ellie (156 s.). Jams Miller, New York, 1864. Oversætter ikke angivet, men identificeret som Charles Boner.
Ek1, Ek4, Ek5, Ek11, Ek12, Ek15, Ek18, Ek32, Ek37
VI: A Picture book without pictures. Oversætter ikke angivet, men eventyrene (ek3, ek20) er oversat af Caroline Peachey. Picture-Book without Pictures + afsnit fra En Digters Bazar er oversat af Mary Howitt.
Afsnit fra En Digters Bazar: My Boots = Kap.XIII, Italien Scenes on the Danube: Today is Sunday = Kap.VII, Donau-fart At Drencova = Slutningen af Kap.VIII, Donau-fart The Swineherds = Kap.XI, Donau-fart Pegasus and the Post-Horses = Kap.XVIII, Italien
Ek3, Ek20,

(Bibliografisk kilde: HCAH 1955/17-0001-0005)

A Picture Book without Pictures, and other stories. Illustrations by James Miller. New York, 1865. 154 p.
Ek5, Ek13, Ek15, Ek16, Ek18, Ek20, Ek21, Ek22, Ek23, Ek24, Ek25, Ek26, Ek30, Ek32, Ek37

(Bibliografisk kilde: HCAH 1950/7, 1954/83, 1954/84)

Hans Andersen's Library. Illustrated. John B. Alden. New York [1866?]. 142 s.
2 bind sambundet: 1. Hans Andersen´s Library. The Ice-Maiden, And other Tales. By Hans Christian Andersen. Illustrated. John B.Alden, Publisher, 18 Vesey Street, New York. Oversætter ikke oplyst, men ek98, ek106, ek107, ek108 oversat af Fanny Fuller
2. Hans Andersen´s Library. A Picture Book Without Pictures. And other Stories. By Hans Christian Andersen. Illustrated. John B.Alden, Publisher, 18 Vesey Street, New York.
Afsnit fra EdB: My Boots = Kap XIII, Italien. Scenes on the Danube: Today is Sunday = Kap. VII, Donau-fart. At Drencova = Slutningen af Kap.VIII, Donau-fart. The Swineherds = Kap.XI, Donau-fart. Ek98, Ek106, Ek107, Ek108, Ek109, Ek110, Bub,

(Bibliografisk kilde: Bredsdorff)

(Bibliografisk kilde: HCAH 1954/101)

by Hans Christian Andersen. Translated from the German edition of M. Langfeldt by Henry T. Brooks, M.D. Jarvis Press, New Rochell, N.Y. 1929.

(Bibliografisk kilde: HCAH 1954/365)

Andersen, H.C.: "Picture Book Without Pictures", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

Tales the Moon Can Tell.(Picture Book without Pictures) . Illustrated by MARLIE BRANDE. Berlingske Forlag, Copenhagen. 81 pp.
Oversættelse ved R. P. Keigwin af nr. 1537 ovf. - Forord af H. Topsøe-Jensen pp. 5-7.

(Bibliografisk kilde: HCAH 1955/196)

Edited by Lily Owens. Illustrated. Gramercy Books. New York. This 1996 Editionis published by Gramercy Books, a Division of Random house value Publishing inc. [Total fairy tales, Lucky Peer, Picture Book Without Pictures. With 32 evenings, 11th evening omitted, and then renumerated]. New York, 1996. 803 p.

(Bibliografisk kilde: HCAH 1996/193)

Illustrated by Maxwell Armfield. [With Picture Book Without Pictures, 32 evenings. 25th Evening omitted, and then renumerated].

(Bibliografisk kilde: HCAH 2000/740)

Fabula. Zeitschrift für Erzählforschung (Göttingen), XLVI:1-2, 2005; om HCA pp. 3-125. - Johan de Mylius, “Luzifer als Märchenonkel”, pp. 3-16; Niels Ingwersen, “‘I Have Come to Despise You’. Andersen and His Relationship to His Audience”, pp. 17-28; Jacob Bøggild, “Framing the Frame of H. C. Andersen’s ‘Auntie Toothache’”, pp. 29-42; Aage Jørgensen, “Hans Christian Andersen zwischen Verwurzelung und Modernität. Unter besonderer Berücksichtigung des Märchens ‘Die Dryade’”, pp. 43-54; Klaus P. Mortensen, “The Poetry of Chance. Om Hans Christian Andersen’s ‘Picture Book without Pictures’”, pp. 55-66; Finn Hauberg Mortensen, “Rose, Stern und Spiegel. Eine Analyse von Andersens Märchen ‘Die Schneekönigin’ und ‘Der Tannenbaum’”, pp. 67-77; Maria Kaliambou, “Hans Christian Andersens ‘Reise’ in Griechenland. Zur Rezeption seiner Märchen seit Ende des 19. Jahrhunderts”, pp. 78-88; Christine Shojael Kawan, “‘The Princess on the Pea’. Andersen, Grimm and the Orient”, pp. 115; Hans-Jörg Uther, “Glück im Unglück. Hans Christian Andersens Schwank ‘Was Vater tut, ist stets das Richtige’ im Spiegel literarischer und mündlicher Überlieferungen”, pp. 116-25.

(Bibliografisk kilde: HCAH)

Lucky Peer, Picture Book Without Pictures, Extracts from A Poet's Bazaar. CRW Publishing, Leipzig, 2005. 584 p.

In celebration of the bicentenary of the birth of Hans Christian Andersen, a special edition of his much-loved stories has been compiled. This elegant volume, with a wealth of fully illustrated biographical information and reference material, is a stunning testament to the lasting legacy of his work. Hans Christian Andersen (1805-75) is one of the best-known storytellers of all time. He was an extraordinarily prolific and varied author whose magical stories include The Ugly Duckling, The Princess and the Pea, The Little Mermaid, The Tinderbox, The Snow Queen, The Ice Maiden, The Emperors New Clothes and many others which have become a part of folk-memory around the world. He is best known for these tales, but even these are by no means all fairy tales or ones for children. Some are straightforward fables, though he borrowed or adapted very little, most of his work being original. Together with selecting the stories, editor Charles Mosley has written a scholarly but immensely readable introduction. Detailing the prolific nature of Andersens writings, he highlights every part of his work, from fables and tales to opinion pieces and travel writings. Mosley also provides a biographical section giving details of Hans Christian Andersens life and travels, as well as sections on Andersen in art and illustration, in film, music and the stage, and even postage stamps. From his humble beginnings in a one-room house in Denmark to the end of his life, Andersens life is wonderfully chronicled.

(Bibliografisk kilde: HCAH 2005/406)