H.C. Andersen centret

Titelblad. - Smudstitelblad, paa Bagsiden heraf: Personlisten. - Tekst: 114 Sider. - Forneden paa sidste Side: Opført første Gang i Casino den 17de Januar 1855. - 8vo. - Pris 48 Sk. (Udkom 24. 1. 1855).
Anm.: Berlingske Tidende 18. 1. 1855, Nr. 15. - Dagbladet 19. 1. 1855, Nr. 16. - Flyveposten 19. 1. 1855, Nr. 16-31. 1. 1855, Nr. 26. - Kjøbenhavns-posten 19. 1. 1855, Nr. 16, 64 og 7. 3. 1855, Nr. 56, 221.

(Bibliografisk kilde: Dal)

(Bibliografisk kilde: HCAH 1968/31)

Folkets Nisse, "En Landsbyhistorie" giør i denne Tid Furore i "Alhambra".

(Bibliografisk kilde: Skjerk)

(Bibliografisk kilde: HCAH)

Figaro, Et Ugeblad. 2. dec. 1866. Anmeldelse af "En Landsbyhistorie" paa Casino.

(Bibliografisk kilde: HCAH A-687f)

Fædrelandet 27.11.1872.

(Bibliografisk kilde: HCAH)

Kuhn, Hans: " En Landsbyhistorie - Andersen's Forgotten Success Play" , In: Johan de Mylius, Aage Jørgensen and Viggo Hjørnager Pedersen (ed.): Hans Christian Andersen. A Poet in Time. Papers from the Second International Hans Christian Andersen Conference 29 July to 2 August 1996 . The Hans Christian Andersen Center, Odense University, Odense University Press. 576 pages, Odense, Denmark 1999.

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. A Poet in Time. Papers from the Second International Hans Christian Andersen Conference 29 July to 2 August 1996 . Issued by The Hans Christian Andersen Center, Odense University. Odense University Press, Odense 1999. 576 pp. – Indhold: [Plenary lectures.] Elias Bredsdorff, "Intentional and Non-Intentional Topicalities in Andersen's Tales", pp. 11-37; Erik Dal, "Our Own Twenty Plus Fifteen Favourite Tales", pp. 39-50; Heinrich Detering, "The Phoenix Principle. Some Remarks on H. C. Andersen's Poetological Writings", pp. 51-65; Annelies van Hees, "Stylistics and Poetics in Some Andersen Tales", pp. 67-86; Poul Houe, "Andersen in Time and Place – Time and Place in Andersen", pp. 87-107; Johan de Mylius, "Hans Christian Andersen – on the Wave of Liberalism", pp. 109-24. [Biography, Affinities and Influences.] Jacob Bøggild, "Pontoppidan's 'Rewritings'of H. C. Andersen", pp. 125-35; Erik M. Christensen, "Hans Christian Andersen as a Religious Fastboiler in Per Olov Enquist", pp. 137-48; Anca Dumitrescu, "H. C. Andersen and Ion Creang_ – Two National Story-Tellers", pp. 149-52; Silvestras Gaiñiãnas, "The Ideas and Ideals of H. C. Andersen in the Baltic Literatures", pp. 153-61; Kristi Planck Johnson, "H. C. Andersen's Educational Roots Through His Own Eyes", pp. 163-71; Annette Madsen, "Count Lucanor by Don Juan Manual as Inspiration for Hans Christian Andersen and Other European Writers", pp. 173-76; Ivy York Möller-Christensen, "My Dearly Beloved Grand Duke", pp. 177-87; Niels Oxenvad, "Henrik Hertz and Hans Christian Andersen", pp. 189-98; Gisela Perlet, "Hans Christian Andersen and Switzerland", pp. 199-204. [Cultural History and Reception.] Hans Chr. Andersen, "The Author at the Museum", pp. 205-34; Ljudmila Braude, "Hans Christian Andersen's Writer's Manifesto 'In Sweden'- Andersen and Science", pp. 235-40; Trevor G. Elkington, "Holger Danske as Literary Danish Identity in the Work of H. C. Andersen and B. S. Ingemann", pp. 241-53; Jordanka Fakirska, "Andersen, Moral Values and the Children's Ideas for Good", pp. 255-58; W. Glyn Jones, "Andersen and Those of Other Faiths", pp. 259-70; Aage Jørgensen, "Heroes in Hans Christian Andersen's Writings", pp. 271-87; Inge Kleivan, "Arctic Elements in the Writings of Hans Christian Andersen", pp. 289-300; Inge Lise Rasmussen, "H. C. Andersen Watching Art", pp. 301-09; Elena Roussinova, "Andersen in Bulgarian Pre-School Education Strategies", pp. 311-16; Baiba Tormane, "What Latvian Children Like in H. C. Andersen's Fairy-Tales", pp. 317-22. [Language, Style, Translation.] Arãnas Bliãdñius, "The Translations of H. C. Andersen into Latvian and Lithuanian Languages (Comparative Aspects)", pp. 323-33; Hans Götzsche, "H. C. Andersen's Style as Features of Variation, Complexity and Contextual Stylistic Regularity. A Preliminary Approach", pp. 335-52; Hans Holmberg, "On 'The Emperor's New Clothes'", pp. 353-58; Eric Jones, "The Language H. C. Andersen Used in His Early Fairy Tales, Projected Aspects of Culture, Drama, Imaginative Pictures", pp. 359-63; Edith Koenders, "A Selection of H. C. Andersen's Letters and Diaries in a Dutch Edition", pp. 365-74; Keisuke Masuda, "Cultural Differences and Japanese Translations of 'Keiserens nye Klæder'", pp. 375-82; Manfred Menzel, "Elements of Orality in the Fairy Tales of H. C. Andersen", pp. 383-95; Yoichi Nagashima, "Hans Christian Andersen Remade in Japan: Mori Ogai's Translation of 'Improvisatoren'", pp. 397-406; Viggo Hjørnager Pedersen, "H. C. Andersen's Fairy Tales in Translation: Prepositions and 'Small Words'", pp. 407-20. [Genre, Poetics, Art.] Mogens Davidsen, "Hans Christian Andersen and the Image", pp. 421-35; Maria-Sabina Draga-Alexandru, "Contrastive Values in Hans Christian Andersen's Fantastic Stories", pp. 437-49; Niels Ingwersen, "'I Do Not Understand Anything,' Andersen Said", pp. 451-59; Niels Kofoed, "The Arabesque and the Grotesque – Hans Christian Andersen Decomposing the World of Poetry"pp. 461-69; Hans Kuhn, "'En Landsbyhistorie'- Andersen's Forgotten Success Play", pp. 471-84; Erik Svendsen, "Hans Christian Andersen – An Untimely Journalist", pp. 485-99. [Interpretation, Analysis, Text.] Lise Præstgaard Andersen, "The Feminine Element – And a Little About the Masculine Element in H. C. Andersen's Fairy Tales", pp. 501-14; Finn Barlby, "The Euphoria of the Text – on the Market, on Man, and on Melody, i.e.: Poetry", pp. 515-25; Frank Hugus, "The Ironic Inevitability of Death - Hans Christian Andersen's 'Lykke-Peer'", pp. 527-40; Ib Johansen, "The Demons of the Text", pp. 541-53; James Massengale, "The Miracle and A Miracle in the Life of a Mermaid", pp. 555-76. – Aage Jørgensens bidrag optrykt i: Harold Bloom (red.), Hans Christian Andersen , 2005 (cf. 11054 ). - Poul Houes bidrag optrykt i nr. 11918 .

Bidrag online

Andersen. H. C. Andersens samlede værker, bind 10-13. Skuespil ,
I: 1822-1834: "Scene af: Røverne i Vissenberg i Fyen" (1822), "Kjærlighed paa Nicolai Taarn eller Hvad siger Parterret" (1829), "Skibet" (1831), "Bruden fra Lammermoor" (1832), "Ravnen eller Broderprøven" (1832), "Dronningen paa 16 Aar" (1833), "Agnete og Havmanden" (1834)
II: 1836-1842: "Festen paa Kenilworth" (1836), "Sangene i Festen paa Kenilworth" (1836), "Skilles og mødes" (1836), "Den Usynlige paa Sprogø" (1839), "Mulatten" (1840), "Mikkels Kjærligheds Historier i Paris (1840), "En Comedie i det Grønne" (1840), "Maurerpigen" (1840), "Sangerinden" (1841), "Vandring gjennem Opera-Galleriet" (1841), "Fuglen i Pæretræet" (opført 1842, trykt 1854).
III: 1844-184: "Kongen Drømmer" (1844), Fragmenter af 'Ahasverus'" (1845), "Lykkens Blomst" (1845), "Den nye Barselstue" (1845), "Hr. Rasmussen" (1846), "Liden Kirsten" (1846), "Ahasverus" (1848), "Kunstens Dannevirke" (1848), "Brylluppet ved Como-Søen" (1849), "En Nat i Roeskilde" (1849), "Meer end Perler og Guld" (1849).
IV: 1850-1876: "Ole Lukøie (1850), "Hyldemoer" (1851), "Nøkken" (1853), "Indledning til Carnevalet" (Casino 1853-54), "En Landsbyhistorie" (1855), "I Maaneskin" (1855), "Paa Langebro" (1864), "Han er ikke født" (1864), "Da Spanierne var her" (1865), "I Vetturinens Vogn" (1869", "Kong Saul" (1876). Gyldendal, København 2005. 504, 632, 608, 688 pp. – Indledning af Klaus P. Mortensen, I pp. 13-59; noter m.v., I pp. 459-503 (incl. billedkommentarer af Ejnar Stig Askgaard pp. 495-503), II, pp. 570-631, III pp. 528-607, og IV pp. 598-685. - Anm. Hans Hertel, Politiken 15.4.2006.

(Bibliografisk kilde: HCAH)

I en genbrugsbutik i Skanderborg fandt de En Landsbyhistorie med en dedikation til de Coninck. Efterfølgende forærede de bogen til museet. Ugebladet Skanderborg, 5. september 2017.

(Bibliografisk kilde: HCAH avis, og bog: 2017/35)