Religious motifs : Overview. Search. About religious motifs

See also To die and go to heaven, Transformation


Life, death, resurrection, transformation, rebirth, soul, journey

Description of this motif:

The intermediate state is a crucial concept in the religious universe of Hans Christian Andersen's tales. Death is (in many tales, but not all) not just dying, but a transformation into another sphere of existence for the soul, a step on the way towards the site of the highest spirit, the kingdom of God. A famous and enlightning example is the tale of the little mermaid's uncompromising striving for the sun (light, spirit and immortality) and love, that brings her up from the depths of the sea to the world of the humans, and from there, surprisingly, to the intermediate state among the daughters of the air, in which the reader leaves the mermaid. From there she may in time rise into the kingdom of God, the element of the sun and of absolute light. Inger in hell in "The Girl Who Trod on the Loaf" is also in an intermediate state. She also transforms and rises to the face of the earth and in the end of the tale into the light, "straight into the sun".

Andersen had the concept of the stepwise transformations of the soul in common with his close friend B.S. Ingemann. Both considered the soul immortal. They both rejected the thought of the soul's eternal condemnation in hell and thus disagreed with the Danish church at the time. In the opinion of Andersen and Ingemann the concept of eternal punishment in hell conflicted with the concept of God's infinite love and power.

Johan de Mylius has written about this issue in Forvandlingens pris ('The price of transformation', 2004), pp. 334-342.


The tales are sorted by year. The leading numbers refer to the number of occurrences of the motif in the respective texts.