List of abstracts for the IV International HCA conference - Hans Christian Andersen between children's literature and adult literature

Andersen, Hans Christian;   Workshop I   Hans Christian Andersen as a Tourist?
Askgaard, Ejnar; M.A.   Workshop V   On Andersen's 'The Snow Queen'
Baran, Zbigniew; ph.d.   Workshop II   Encyclopaedic Portraits of HCA
Bliudzius, Arunas; Sc.secr.   Workshop III   Publishing of H.C.Andersen's Tales in Lithuanian and Latvian
Christensen, Erik M.;   Plenary lecture 1   The Queen and I
Davidsen, Mogens;   Workshop IV   'Childishness' as Poetic Strategy
Dumitrescu, Anca; prof.dr.   Workshop III   H.C. Andersen and His First Romanian Translators
Hees, Annelies van;   Workshop I   HCA was no hypochondriac: he was ill
Isaeva, Elisaveta; Professor   Workshop II   Evgeny Shwartz and H. C. Andersen
Jensen, Lars Bo; Ph.D-studerende   Workshop I   Children and tunings in Hans Christian Andersen's travel books
Kofoed, Lone Funch; cand.mag.   Workshop I   Shadow Pictures - Truth or tale
Korovin, Andrey V.; Ph.D, Associate professor   Plenary lecture 7   Chronotope of Andersen's Fairy Tales and Stories
Kuhn, Hans;   Plenary lecture 2
Andersen's poems for and about children.
Considering Andersen's vast output of poetry (taking up approximately 550 printed pages), the poems specifically dealing with children number no more than about 30. Depending on the respective roles of speaker and child/children, they form three groups: (1) The poet/speaker is an observer describing a scene, and he often quotes the persons observed; (2) The poet/speaker addresses a child in the second person; (3) The poet writes role poems for a child (the speaker is a child). In time, they spread over the whole of Andersen's lterary career, from the middle 1820s to the year of his death, and they express the same range of moods that we find in his tales: the fancyful, the sentimental, the didactic, the religious, the clash between the trivial and the poetic, between innocence and experience. In his early pieces, we often find the touching narratives loved by a 19th century public, but increasingly he moves from the clichés of his time to an unpredictable, puckish humour, which goes well with the way children react to a world which for them is still full of surprises. Many of these poems were occasional pieces written for children in his circle of patrons and friends, or for their parents, and quite a few of them survive to this day as songs.
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Lotz, Martin; Psychiatrist, Psychoanaly   Plenary lecture 8   The Shepherdess and the Chimney Sweep in the light of psychoanalytic thinking
Lundskær-Nielsen, Tom; Dr., Senior Lecturer   Workshop IV   Hans Christian Andersen is famous for using language aimed at children
Malmkjær, Kirsten; Prof.   Plenary lecture 4   The Language that Stayed at Home: Hans Christian Andersen's way with words.
Massengale, James;   Workshop IV   Little Gerda's Moratoria
Mhlakaza, Vincent A.;   Workshop IV   Hans Christian Andersen in Southern Africa
Mikkelsen, Cynthia Mikaela; postgraduate   Workshop V   The element of fear in H.C. Andersen's fairytales
Minovska- Devedzhieva, Rossitsa; dir.   Workshop II   Hans Christian Andersen in Puppet Theatre
Mylius, Johan de; Docent, dr. phil.   Plenary lecture 3   The Child and Death
Müürsepp, Mare; PhD   Workshop III   H. C. Andersen fairy tales for Estonian readers
Pedersen, Viggo Hjørnager; Lektor, dr. phil.   Workshop III   'Out in the world, thoughts come'
Reid-Walsh, Jacqui; lecturer   Workshop II   Everything in the picture book was alive
Scanavino, Carola;   Plenary lecture 0   Caught between heaven and hell: the two faces of H. C. Andersen
Sezer, Sarap; MA   Workshop III   Turkish Translations of Andersen's Fairy Tales
Stecher-Hansen, Marianne; Associate Professor, Grad   Plenary lecture 5   From Romantic to Modernist Metatexts: Commemorating Andersen and the Self-Referential Text
Weinreich, Torben; professor   Workshop IV   Hans Christian Andersen - writing for children?
Øster, Anette; forskningsassistent   Workshop III   Andersen in translation